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Mute MP4

Free Online MP4 Audio Remover

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*Files deleted after 24 hours

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How to Remove the Audio from MP4

1 Upload the MP4 videos whose soundtrack you want gone.
2 Confirm that you want the audio track dropped entirely rather than turned down to silence.
3 Run it; the audio track is removed and the picture is copied through untouched.
4 Download the silent MP4 file, which is also smaller than what you started with.

Mute MP4 FAQ

Should I mute or just silence the audio?
+
Mute. A silent track still occupies bitrate and still has to be decoded by the player; dropping it makes the file smaller and removes any chance of it being unmuted downstream.
No. Removing a track is a container operation, so the video stream is copied bit-identically and is not re-encoded, however long the clip is.
It does. MP4 is the safest delivery container: H.264 video with AAC audio plays on effectively every phone, browser and TV without a codec pack. That governs how the tracks are stored and therefore how cleanly one can be dropped.
Yes — MP4 keeps its index in a moov atom, so a stream-copy edit is near-instant and the result still seeks properly in a browser. Relevant when the source has more than one audio track.
Yes. Uploads queue in parallel, which matters more here than anywhere else because video jobs are minutes rather than seconds. Free accounts run one file at a time; a pass lifts that.
No. Mute MP4 is free without an account, and the output has no watermark, corner logo or intro card. The upload and the result are deleted automatically about 24 hours after the job, which leaves time to download the result.
WEBM.to is built around the container the open web actually chose — VP9 or AV1 with Opus audio, decoded natively by every modern browser and needing no plugin, licence or player. Video is the case where extra round trips hurt most — the files are large and every upload costs real minutes. Running Mute MP4 on the same pipeline as the conversions means one upload covers the whole job instead of one upload per tool.
The converter on this site moves video between WebM, MP4, MKV, MOV and the rest, or pulls the soundtrack out entirely, without another upload. Sequencing it that way matters more for video than anywhere else: each re-encode is another generation, so the fewer of them stand between the source and the file you publish, the better it looks.
The engines are shared — the same ffmpeg build with x264, x265 and libvpx, the same workers, the same limits. What a WebM site adds is a view on containers and codecs: which combinations play everywhere, which need a re-encode and which can simply be copied across. It also starts from one fact about the format this site is named after: WebM is VP9 or AV1 with Opus audio, which browsers decode natively but which most desktop editors still transcode on import.
No account is needed. Uploads and results are kept for about 24 hours, which leaves time to download the result, and are then deleted automatically; nobody reads, lists or indexes them. Several files in one job need a paid plan.

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