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MOV Cutter

Free Online MOV Cutter and Trimmer

Designate your files

*Files deleted after 24 hours

Specify the start and end time for the portion you want to keep.

Format: HH:MM:SS (e.g., 00:01:30 for 1 minute 30 seconds)

Process up to 1 GB files free, Pro users can convert up to 100 GB files; Sign up now

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How to Cut and Trim MOV

1 Upload the MOV videos you want to cut.
2 Drag the start and end handles on the waveform or the timeline, or type exact timecodes if you already know them.
3 Preview the selection and run the cut — the part you keep is copied through untouched wherever the format allows it.
4 Download the trimmed MOV file.

MOV Cutter FAQ

Is the part I keep re-encoded?
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Not if the format allows a stream copy — the data you keep is bit-identical to the source and the job finishes in about the time the upload took. Only a frame-exact cut on a format that cannot do it cheaply needs a re-encode.
You can type exact timecodes rather than only dragging, and the preview scrubs to the position as you move it. How exact the result can be depends on the format: some allow a cut anywhere, others snap to the nearest frame or keyframe.
It does. MOV is QuickTime, Apple-native, and the usual home for ProRes and alpha-channel video that MP4 cannot carry. That is precisely what decides whether a cut can be placed arbitrarily or has to land on a structural boundary.
Yes — MOV can carry ProRes and a real alpha channel, so a re-encode to an H.264 profile silently discards both. It explains most of the "the cut is a fraction of a second off" surprises.
It depends on whether the job needs a re-encode. Operations that only touch the container or the timeline are done as a stream copy and the picture is bit-identical to the source. Anything that has to redraw frames goes through x264/x265 at a quality level you set, where CRF 23 is visually transparent on most footage.
Yes. Uploads queue in parallel, which matters more here than anywhere else because video jobs are minutes rather than seconds. Free accounts run one file at a time; a pass lifts that.
They are carried across. Multi-track audio, embedded subtitle tracks and chapter markers survive wherever the target container can represent them — that is the main thing that separates a proper job from a naive re-encode that silently keeps only track one.
No. MOV Cutter is free without an account, and the output carries no watermark, no corner logo and no intro card. Uploaded video is deleted from the workers shortly after the job completes.
WEBM.to is built around the container the open web actually chose — VP9 or AV1 with Opus audio, decoded natively by every modern browser and needing no plugin, licence or player. Video is the case where extra round trips hurt most — the files are large and every upload costs real minutes. Running MOV Cutter on the same pipeline as the conversions means one upload covers the whole job instead of one upload per tool.
The converter on this site moves video between WebM, MP4, MKV, MOV and the rest, or pulls the soundtrack out entirely, without another upload. Sequencing it that way matters more for video than anywhere else: each re-encode is another generation, so the fewer of them stand between the source and the file you publish, the better it looks.
The engines are shared — the same ffmpeg build with x264, x265 and libvpx, the same workers, the same limits. What a WebM site adds is a view on containers and codecs: which combinations play everywhere, which need a re-encode and which can simply be copied across. It also starts from one fact about the format this site is named after: WebM is VP9 or AV1 with Opus audio, which browsers decode natively but which most desktop editors still transcode on import.
No account, and nothing is kept: uploaded video is deleted from the workers shortly after the job finishes, nothing is watched and nothing is indexed. Free accounts exist for history and batch size, not for access.

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